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Foreword / Prólogo

 

 

ARTICLES

 

World awareness of rock art as evidenced from UNESCO's World Heritage List

   Jean Clottes

 

Management of Valcamonica's Rock Art Sites

   Raffaella Poggiani Keller

 

The cave of Altamira and its museum

   Pilar Fatás y José Antonio Lasheras

 

Cave of Altamira and palaeolithic cave art of northern Spain. Composition, characteristics and management

   Roberto Ontañón-Peredo, José Adolfo Rodríguez-Asensio

 

Rock Art of Alta

   Karin Tansem

 

Brú na Bóinne

   Ana Dolan

 

The Rock Carvings in Tanum, Sweden

   Ulf Bertilsson

 

The Côa Valley - Research and management of an asset of World Heritage rock art sites

   Antonio Martinho Baptista 

 

Siega Verde: Outdoor rock art on the World Heritage list

   Milagros Burón Álvarez y Jesús Mª del Val Recio

 

Management of Rock Art of the Mediterranean Basin on the Iberian Peninsula

   Miguel San Nicolás del Toro

 

Gobustan Rock Art Cultural Landscape

   Malahat Farajova

 

An urban interpretation of nature: The Sassi of Matera (Basilicata, Italy). Medieval rock art in South of Europe

   Francesco Foschino

 

The rock art of Norway

   Trond Lødøen

 

The Vingen site: a century of rock art research and a recent cultural heritage initiative for the UNESCO World Heritage Tentative List

   Trond Lødøen

 

Towards a new World Heritage candidature: “Symbolic landscapes of the Western Iberian Peninsula. Schematic rock art as a cultural unity”

   Hipólito Collado Giraldo, José Manuel Rey García y Luiz Oosterbeeck

 

The Council of Europe Cultural Route ´'Prehistoric Rock Art Trails'. A Network of Archaeological Sites for Cooperation in the Framework of European Cultural Tourism

   Ana Manrique Morales, y Ramón Montes Barquín

 

Región de Murcia CARP